Gallery Artists  
Marc Bauer | Heidi Bucher | Sophie Bueno-Boutellier | Dani Gal | Virginia Overton bio more info | Elodie Pong | Magali Reus | Tanja Roscic | Yorgos Sapountzis | Sylvia Sleigh | Loredana Sperini | Megan Francis Sullivan | Karin Suter |  
Virginia Overton at Freymond-Guth 2011
 
 
Untitled (drawing for Storm King), detail
2014
wax crayon on paper






  Untitled
2014
Brass and painted steel,
121.9 cm x 148.7 m x 10.2 cm (48" x 488' x 4")

Installation view Storm King Art Center, NY, USA

In a Storm King hay field, artist Virginia Overton has designed a sculptural installation that is simultaneously sweeping and delicate in scale. Created out of four-inch-diameter brass tubing, the work glides above the earth across the field’s five-hundred-foot width. Storm King’s landscape helped to determine the parameters of this untitled work: the field’s length dictated that of the installation, and the work echoes the contour of the field as it slopes from west to east. Overton visited Storm King several times—through every season—as she conceived the work. The period of its exhibition, May through November, bears witness to many changes in climate, and by design, the duration of the installation will affect the piece. The tube will slowly form a patina, and its color will also reflect its natural surroundings as the seasons shift from early spring, to summer, to deep autumn. In part, the work functions as a drawing in space. When compared to the grand scale of the landscape around it, the brass tube becomes a slight gesture. The line of the work is formally elegant, but its expansive span also implies that the line is meant to be seen from afar, in full, perhaps from atop one of Storm King’s many vistas; the piece also seems to invite an aerial viewpoint.


  Overton’s line across space has a functional corollary in cartography and mapping, in which large expanses of space are translated into two dimensions in order to be understood. Overton worked with a topographic map of Storm King’s property to familiarize herself with the site. Topographic maps are meant to aid in land management, strategic planning, security, and the identification and understanding of natural resources. The symbolic visual language of a topographic map’s lines and concentric rings informs her installation. The idea of a field as more than a passive, natural space is of interest to Overton, who has long been engaged with social histories of spaces. She chose to make a work at this particular site in part because of its background as an active farming site, a site from which hay is still harvested every year. At four feet, the tube will hover just above the height line of the hay at its tallest, before it is harvested.
        Installation view: Flat Rock
The Museum of Contemporary Art, North Miami, USA, 2014
Photo credit: Daniel Portnoy
      Installation view: Flat Rock
The Museum of Contemporary Art, North Miami, USA, 2014
Photo credit: Daniel Portnoy
  Untitled
2014
tow rope, steel
401 x 130cm (158 x 120 inches)
      Untitled (Good Year)
2014
tractor tire, wood, car battery, inverter, white-noise machine
Photo Daniel Portnoy
  Untitled
2014,
marble, galvanized steel, lightbulb, electrial wiring,
Photo Daniel Portnoy
      Untitled
2014
found materials, rope, sandbag
  Installation view: Flat Rock
The Museum of Contemporary Art, North Miami, USA, 2014
Photo credit: Daniel Portnoy
      Untitled (Skoda), 2013
pickup, pedestals, tow ropes, stickers, synthetic turf
201×259×463 cm

Exhibition view Westfälischer Kunstverein, Münster, DE, 2013
         
Exhibition view Westfälischer Kunstverein, Münster, DE, 2013
  Foreground:
Untitled (fans)
2013
Personal fans, string
Dimensions variable

right:
Untitled (stand #1)
2013
Two-way mirror, wood
185×123×30 cm
  Untitled (stand #1)
2013
Two-way mirror, wood
185×123×30 cm
  Untitled (Bench #1)
2013
Wood, concrete, steel
44×401×62 cm
  Untitled (Bench #1), detail   Untitled (Bench #4)
2013
Wood
44×330×59 cm
  Untitled (Bench #2)
2013
Wood, tension straps
46×414×58 cm
  Untitled (stand #2)
2013
Two-way mirror, wood
152×105×28 cm
  Untitled (Orange, Yellow & Blue)
2013
Found lights, extension cord reel with multi-plug batteries, battery chargers
Dimensions variable
 

Untitled (Kunsthalle Bern sign)
2013
Lightbox, Acrylic and Vinyl
Dimensions: 30,3 x 244 x 15,7 cm ( 11,9 x 96,1 x 6,2 inch )
OVER_003828

 

Untitled (Hauptsaal floor)
2013
Pinewood
Dimensions: 1020 x 1260 cm ( 401,6 x 496,1 inch )
OVER_003841

         

Untitled (slant)
2013
Wooden boards
Dimensions: 272 x 530 x 465 cm ( 107,1 x 208,7 x 183,1 inch )
OVER_003829

  back:

left: Untitled (besserer Rendite)
right: Untitled (Mit Geflügel Futter)
2013
Metal and paint
Dimensions: 60 x 100 cm ( 23,6 x 39,4 inch ) each
OVER_003834 / OVER_003835
 

Untitled (mirror)
2013
Lightbox, reflective acrylic paint
Dimensions: 94,5 x 125 x 15,7 cm ( 37,2 x 49,2 x 6,2 inch)
OVER_003831

     

Parquet (a)
2013
Wood
Dimensions: 200 x 195 cm ( 78,7 x 76,8 inch )
OVER_003836

 

Parquet (b)
2013
Wood
Dimensions: 212,5 x 278 cm ( 83,7 x 109,4 inch )
OVER_003837

 

Parquet (c)
2013
Wood
Dimensions: 208 x 212 cm ( 81,9 x 83,5 inch )
OVER_003838

Parquet (d)
2013
Wood
Dimensions: 119 x 451 cm ( 46,9 x 177,6 inch )
OVER_003839

      Untitled (schedule 40)
2012
Steel
571 x 5cm diameter

Exhibition View The Kitchen, NY

The work in the exhibition was made on site, using found materials and objects normally stored
out of sight: pedestals of various dimensions, rigging pipes, and wooden 2x4s. Behind the
gallery walls, theatrical lights pointed upwards direct the eyes to the actual structural walls of the
building as well as the matrix of steel pipes, HVAC ducts, and cabling along the ceiling.
  Untitled (pipes)
2012
Steel, aluminum
386 x 233 x 90.1cm

Exhibition View The Kitchen, NY
      Untitled (pedestals)
2012
Wood, paint
142.2 x 365.7 x 83.8cm

Exhibition View The Kitchen, NY
  Untitled (2x4 floor)
2012
Wood, paint
548.6 x 722.3 x 3.8cm

Exhibition View The Kitchen, NY
 

Deluxe
2012


The Power Station, Dallas, USA
Exhibition View

"For Virginia Overton, the truck is a working tool embodied with stored labor. Rather than a symbolic object of desire in the mode of the co-opted muscle car, she recognizes the truckas a worker. Like most of her tools and materials, the truck functions as an agent for labor production."
-extract press release The Power Station, Dallas, 2012

  Chevy Deluxe
2012
Pick up truck, tarp, light fixtures, auto battery and inverter
548 x 198 x 175cm
      Untitled (Broncos vs Patriots)
2012
football game live/ recorded
60 inch TV

Untitled (Bench)
2012
Pine 2x12s, 5 gallon buckets
243 x 29.8 x 40cm, each
  Untitled (Broncos vs Patriots) (Detail)
football game live/ recorded
60 inch TV
  Untitled (Broncos vs Patriots) (Detail)
football game live/ recorded
60 inch TV
 

Untitled (I-beam #1)
2012
2 - 2x4s, electrical wiring, bulb
15.2 x 300 x 12.7cm

Untitled (I-beam #2)
2012
2 - 2x4s, electrical wiring, bulb
15.2 x 300 x 12.7cm

  Deluxe
2012


The Power Station, Dallas, USA
Exhibition View
  Untitled (spare tire, ratchet strap, vinyl hose)
2012
tire, hub cap
variable dimensions
  Untitled (spare tire, ratchet strap, vinyl hose)
2012
ratchet strap
variable dimensions
  Untitled (spare tire, ratchet strap, vinyl hose)
2012
vinyl hose
variable dimensions
  Untitled
2011
Poplar
447 x 485 x 35.5 cm

Installation View
White Flag Projects, St. Louis MO
  Untitled (Upended)
2011
Digital Print on vinyl
396 x 396 cm

Installation View
White Flag Projects, St. Louis MO
  Mudflap Girls 360° (hot pink)
2011
Adhesive vinyl
Sixteen parts; 99 x 139cm each
Installed dimensions variable

Installation View “Glee” curated by Cecilia Alemani
Blum & Poe, Los Angeles, USA
  Untitled (echo)
2011
Acrylic mirror, ratchet straps
Mirror: 244 x 122cm
Installed dimensions variable

Installationview “Glee” curated by Cecilia Alemani
Blum & Poe, Los Angeles, USA
  Untitled ( Concave) and Untitled (Convex)
2011
Mirror, strap
126 x 105 x 126 cm / 126 x 136.5 x 115cm

Installation View “Bridgehampton Biennial” curated by Bob Nikas
Bridgehampton, New York

  Untitled
2011
Acrylic mirror, ratchet strap
Dimensions H 126 x B 105 x T 126 cm (h 49,6 x w 41,3 x d 49,6 inch)
  Untitled
2011
Acrylic mirror, ratchet strap
Dimensions H 126 x B 136,5 x T 111,7 cm (h 49,6 x w 53,7 x d 44 inch)
 

Untitled (tow rope)
2010
Lumber, tow rope, screws and pastel
Dimensions variable

Installation View
"Today I made nothing" cur. Tim Saltarelli
Elizabeth Dee Gallery, New York City, 2010



  Untitled (Zurich)
2011
Wood, plaster, rope, pulley, glass carafe, water
Dimensions variable
 

Untitled (chairs with lights)
2009
Chairs, light fixture, ratchet strap
Dimensions variable

Installation View
"Today I made nothing" cur. Tim Saltarelli
Elizabeth Dee Gallery, New York City, 2010

 

Untitled (medium yellow), Untitled (long yellow), Untitled (short yellow)
all 2011
Painted wood, socket, electrical wire and light bulb
Dimensions H 148,5 x B 14 x T 9 cm (h 58,5 x w 5,5 x d 3,5 inch)
Dimensions H 249 x B 14 x T 14 cm (h 98 x w 5,5 x d 5,5 inch)
Dimensions H 136 x B 14 x T 21 cm (h 53,5 x w 5,5 x d 8,3 inch)

Untitled (pink)
2011
Wood, spraypaint
Dimensions H 152,5 x B 11,5 x T 7,5 cm (h 60 x w 4,5 x d 3 inch)



  Untitled
2010
Wood and sheetrock mud
497.8 x 40.6 x 5.1cm

Installation View
Mitchell-Innes & Nash, New York City, 2010
  Untitled (Triangle)
2010
Douglas Fir
Dimensions variable


Installation View
Mitchell-Innes & Nash, New York City, 2010

  Installation View
Mitchell-Innes & Nash, New York City, 2010
  Untitled (Chimney)
2010
Digital print on adhesive vinyl
121 x 121cm

Installation view PS1 MoMA
2010


  16 Mudflap girls (360°)
2011
adhesive vinyl
Dimensions H 137 x B 2365 cm (h 53,9 x w 931,1 inch)
  6 Mudflap girls (360°)
2011
adhesive vinyl
Dimensions H 137 x B 2365 cm (h 53,9 x w 931,1 inch)
  Untitled (four corners of the table)
2011
Installation
Wax crayon, paper
Dimensions h 9 x w 12 inch (H 22,9 x B 30,5 cm)

 

Untitled (card)
2011
Wax crayon, paper
Dimensions H 9 x B 12 cm (h 3,5 x w 4,7 inch)

 

Untitled
2011
Wax crayon, paper
Dimensions H 9 x B 12 cm (h 3,5 x w 4,7 inch)

  Untitled
2011
Wax crayon, paper
Dimensions H 9 x B 12 cm (h 3,5 x w 4,7 inch)
 

untitled (Milan)
2010
wood
Dimensions variable
Installation view
N.O. Gallery, Milano, IT


  untitled (Milan)
2010
wood
Dimensions variable
Installation view
N.O. Gallery, Milano, IT


  Untitled (This is not a ladder.)
2010
A-frame fiberglass ladder
Dimensions variable
Installation view AMUM, Memphis, TN
  Untitled (salt)
2009
Wood, ratchet strap, salt
Dimensions variable

Installation view Sculpture Center, LIC, NY, In Practice Projects
  Untitled
2010
Inkjet prints on polyethylene, fluorescent light fixtures
Dimensions H 122 x B 9 x T 10,5 cm (h 48 x w 3,5 x d 4,1 inch)

Installation View
Dispatch Bureau, New York City, 2010
  Untitled
2010
Inkjet prints on polyethylene, fluorescent light fixtures
Dimensions H 122 x B 9 x T 10,5 cm (h 48 x w 3,5 x d 4,1 inch)

Installation View
Dispatch Bureau, New York City, 2010

  Untitled
2010
Wood, sheetrock mud
Dimensions variable

Installation View
Dispatch Bureau, New York City, 2010
  Untitled
2010
Mirrored acrylic, wood
Dimensions variable

Installation View
Dispatch Bureau, New York City, 2010
  Untitled
2010
Acrylic mirror and wood
Dimensions variable

Installation view at Art 41Basel
Ecart Booth, cur. John Armleder
  Untitled
2010
Mirrored acrylic, wood, inkjet prints on vinyl
Dimensions variable

Installation view
Cheekwood Museum and Botanical Garden, Nashville, TN
  Untitled (mirror in truck)
2010
photography/ poster
dimensions, edition variable
 

Untitled (red truck)
2007
photography/ poster
dimensions, edition variable

  Untitled (cardboard truck)
2007
Digital print
A3
unlimited edition to take
  Untitled (green truck)
2007
Digital print
A3
unlimited edition to take