Untitled
2012
Inkjetprint on Archival Paper, polaroids, aluminium
140 x 94 cm ( 55,1 x 37 inch )
BURG_003014 |
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Untitled
2012
Inkjetprint on Archival Paper, polaroids, aluminium
140 x 94 cm ( 55,1 x 37 inch )
BURG_003015 |
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Untitled
2012
Inkjetprint on Archival Paper, polaroids, aluminium
140 x 94 cm ( 55,1 x 37 inch )
BURG_003013 |
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Romance 3 (front)
2012
Rendezvous (background)
2012
Exhibition View Zeppelin Museum, DE
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Rendezvous (Passepartouts)
2012
Wallpaper
Inkjet print on wall
1110 x 340 cm ( 437 x 133,9 inch )
Dimensions variable
BURG_002994 |
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Untitled (love whispers) 3
2012
Aluminium, plexi, cardboard, epoxy resin, silicon
100 x 70 cm ( 39,4 x 27,6 inch )
BURG_002986
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Romance 1
2012
Wood, plexi, lacquer, prosecco, salami, mayonnaise, cherry schnaps, foam, wire, paper, different plastic materials, lady boots
230 x 140 x 40 cm ( 90,6 x 55,1 x 15,7 inch )
BURG_002996
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Untitled (love whispers) 1
2012
Aluminium, plexi, cardboard, epoxy resin, silicon
100 x 70 cm ( 39,4 x 27,6 inch )
BURG_002984
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Untitled (front)
2012
Polaroid, inkjetprint on outdoor poster paper, aluminium, plexi, cardboard, paper, epoxy resin
100 x 70 x 4 cm ( 39,4 x 27,6 x 1,6 inch )
BURG_003003.2
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Untitled (back)
2012
BURG_003003.2 |
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Untitled (front)
2012
Polaroid, inkjetprint on outdoor poster paper, aluminium, plexi, cardboard, paper, epoxy resin, silicon
100 x 70 x 4 cm ( 39,4 x 27,6 x 1,6 inch )
BURG_003009.2
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Untitled (back)
2012
BURG_003009.2 |
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The illusion of owning a third eye
2012
Aluminium, wood, plexi, polaroids, carton, inkjet prints on Blueback outdoorposterpaper, polyester resin. (Aluminium frames: 100 x 70 x 6 cm)
480 x 665 x 110 cm ( 189 x 261,8 x 43,3 inch )
Exhibition view Kunsthalle Nürnberg, DE |
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The illusion of owning a third eye (Detail)
2012 |
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The illusion of owning a third eye (Detail)
2012 |
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The illusion of owning a third eye (Detail)
2012 |
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The illusion of owning a third eye (Detail)
2012 |
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Sel de cuisine
2011
Metal, lacquer, 2 clocks for steeples, computerized chimes, cables
550 x 140 x 80 cm ( 216,5 x 55,1 x 31,5 inch )
Installation View Territoires, Bex, CH
produced with the kind support of Kunstbetrieb, CH |
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Sel de cuisine (Detail)
2011
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Sabbia con Aromi
2010 / 2011
Wallpaper, window grills (metal), lacquer, doormats
Dimensions variable (17 x 4m)
Installation View Art Unlimited, Art 42 Basel, 2011 |
Voe
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Sabbia con Aromi
2010 / 2011
Detail View
Installation View Art Unlimited, Art 42 Basel, 2011 |
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Untitled (Grate)
2010
steel, varnish, inkjet print on doormat
Dimensions H 180 x W 190 x D 18 cm (h 70.9 x w 74.8 x d 7.1 inches)
Installation view Kunstraum Walcheturm, CH, solo |
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Untitled (Grate)
2010
steel, varnish, inkjet print on doormat
Dimensions H 180 x W 190 x D 18 cm (h 70.9 x w 74.8 x d 7.1 inches)
Installation detail Kunstraum Walcheturm, CH, solo |
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Untitled (Ballpoint pens)
2011
C-print, framed, tripod
Dimensions H 310 x W 142 x D 7 cm (h 122 x w 55.9 x d 2.8 inches)
Kunstraum Walcheturm, CH, solo |
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Untitled (Badges)
2011
baryt prints, framed
Dimensions H 52 x W 52 x D 7 cm (h 20.5 x w 20.5 inches)
Detail, Kunstraum Walcheturm, CH, solo |
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Untitled (Badges)
2011
baryt prints, framed
Dimensions H 52 x W 52 x D 7 cm (h 20.5 x w 20.5 inches)
Installation view, Kunstraum Walcheturm, CH, solo |
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o.T. (Untitled)
2010
Lambda-Print, copper, wood
Dimensions H 130 x B 219 x T 35 cm (h 51,2 x w 86,2 x d 13,8 inch)
installation view Fotomuseum Winterthur, CH, solo |
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Danieli
2010
C-print
Dimensions H 113 x B 150,5 cm (h 44,5 x w 59,3 inch)
installation view Fotomuseum Winterthur, CH, solo |
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Double Focus, Teil 1 & 2 ( halb nasse Version) (semi wet version)
2010
Mixed Media
Dimensions H 3100 x B 7500 x T 3200 cm (h 1220,5 x w 2952,8 x d 1259,8 inch)
installation view Fotomuseum Winterthur, CH, solo |
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Double Focus, Teil 1 & 2 ( halb nasse Version) (semi wet version)
2010
Mixed Media
Dimensions H 3100 x B 7500 x T 3200 cm
(h 1220,5 x w 2952,8 x d 1259,8 inch)
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Übungsanlage für Bildtransfer (Training complex for image- transfer)
2010
Wood, metal, cardboard, Inkjet-print,
Dimensions H 2500 x B 5000 x T 2200 cm (h 984,3 x w 1968,5 x d 866,1 inch)
installation view Fotomuseum Winterthur, CH, solo |
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Übungsanlage für Bildtransfer (Training complex for image- transfer)
2010
Wood, metal, cardboard, Inkjet-print,
Dimensions H 2500 x B 5000 x T 2200 cm
(h 984,3 x w 1968,5 x d 866,1 inch)
installation view Fotomuseum Winterthur, CH, solo |
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Irene- the sinkable show
installationview Istituto Svizzero Venice, IT
2010
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Colonna dell'infamia
2010
concrete, steel, anchor chain, wood, inkjet print on paper
180 x 400 x 140cm
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Colonna dell'infamia
2010
detail |
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Inform
2010
Lambda print on aluminium, framed
100 x 71c, |
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Generalprobe der Weggebliebenen mit den Weggegangenen, 2009
dimensions variable
inkjet print on walls
installation view Kunstmuseum Stuttgart, DE, 2009 |
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Generalprobe der Weggebliebenen mit den Weggegangenen, 2009
dimensions variable
inkjet print on walls
installation view Kunstmuseum Stuttgart, DE, 2009
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Patt, 2009
diptych, Lambda print, framed
120 x 85cm
Dieter Roth's object "Gartenzwerg" (Gartenzwerg in Schokolade/ chocolate garden gnome, 1972) at the Kunstmuseum Stuttgart- due to conservatorial provision- is not allowed to be moved nor be exposed to any other external man-induced events such as change of temperature or strong light. Otherwise it faces irrepealable decomposition. The work is manoeuvred into a curatorial impasse and hence not removable from it's momentanous position. Making a photography of "Gartenzwerg" in one take, theoretically would have required four flashes at full capacity. The museum at first insisted on three flashes, in the end agreed to five such. Under inspection of the responsible conservator in the end only four flashes could be made.
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site specific installation of "untitled", 2006 (left) and "run-away sculptor", 2007 (back)
installation view Hauser & Wirth Collection, Henau, CH, 2009 |
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"Sitespecific unspecificy", 2006 (left) and "Höllentor", 2008/09 (Gate to Hell)
installation view Hauser & Wirth Collection, Henau, CH, 2009 |
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untitled (view from the treshold/ anticipating Constructivism after 1945), 2009
poster (front and back side)
collaboration with Georg Winter
Kunstbunker, Nürnberg, DE, 2009 |
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untitled (view from the treshold/ anticipating Constructivism after 1945), 2009
metall, wood, mixed media
520 x 480 x 290cm
collaboration with Georg Winter
Kunstbunker, Nürnberg, DE, 2009 |
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Ganz naiver Konstellationismus, 2009
(entirely naive constellationism)
installation view Binz 39 foundation, Zurich |
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Ganz naiver Konstellationismus, 2009
(entirely naive constellationism)
installation view Binz 39 foundation, Zurich |
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Ganz naiver Konstellationismus, 2009
(entirely naive constellationism)
installation view Binz 39 foundation, Zurich |
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“Sediment”, 2008
C-Print on Aluminium, framed, Wood, Rags,
300 cm x 117 cm x 50 cm |
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“Sediment”, 2008 (detail)
The installed photographic work „sediment“ exemplarily describes the relation between gravity and picture hanging. A highly secured picture shows a frame in which the formerly hanging photographs wither and start decomposing. |
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“Selfbanishment of human beings from the ravaged corner (without shoes)”, 2008
inkjetprint on wall
590 x 350 cm |
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prime luci, 2008
18 x 24cm
C-Print Aluminium, framed |
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Antiteatro, 2008
30 x 43cm
C-Print Aluminium, framed |
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“Analogue monument”, 2008, Installation view Kunsthaus Baselland
16 mm Projection, Ilford promotional umbrella, Manfrotto-Tripods, halogen lights
variabel dimensions |
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"several suggestions on how to behave in front of a wall and one recommendation on how not to behave in front of a wall", 2008
Inkjet-print on wall, Lamda-print framed, 550 x 330 cm
Following a report from a Londoner theosophical newspaper in the 20‘s, a myth arose that somewhere in the southwest corner of the Wavel castle in Krakow (domi cile of the former polish kings in Krakow) one of the seven „chakras“ would be hid den behind a wall. In Hinduism, the seven chakras are considered as places, respectively as the earth‘s adenoids, where a particularly spiritual energy unloads. Visitors of the chakra tour the castle‘s southwest corner at regular intervals. Some of them rub them selves to the wall in order to captivate the most energy from the hidden chakra. This led to the wear out of the wall as well as to its staining. The castle‘s director decided to prevent the wear out and the contact to the wall. Therefore he placed in front of it a pseudo-exhibition about the history of the caste‘s refurbishment. The five metallic displays and stone stands of the actual exhibition are installed 50 cm away from the wall.
text E
views |
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detail
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"Genova-Boccadesse/ lunedì 12 Maggio 1975", 2008
inkjet print on wall
text by Sabine Schaschl, director Kunsthaus Baselland
English
German
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Abstraktion und Blattmimese, 2007
video installation
6min30sec
installation site specific in box |
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Abstraktion und Blattmimese, 2007
installation site specific in box
installation view Swiss Art Award 2008
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"Helmut Newton 1920 2004", 2007
inkjet print on wood
400 x 300 30cm
installation Swiss Art Awards 2007
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"untitled", 2007
C-Print on aluminium, wood, lashing strap, metal
210 x 150 x 50cm |
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"Internationales Seifenkistenrennen Leipzig, 2002", 2007
diverse materials
350 x 250 x 250cm
installation view Kunsthaus Baselland "Failure", 2007 |
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"Sprung in's Leere unter Begutachtung einer Expertenkommission, 2007
(leap into the void under inspection of a comission of experts )", 2006
inkjet print on wooden boards, wood, metal, concrete
420 x 210cm
installation view Kunsthalle Basel Regionale 8, 2007 |
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"Probleme der Kunst", 2006
lamda-orint,
21 x 30 cm |
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"Sitespecific unspecificy", 2006
from the series "Good Forms on their last Summer Holiday"
c-print
120 x 155cm
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untitled, 2006
from the series "Kleinere Unsicherheitsgesellschaften (smaller societies of insecurity)"
concrete, metal hooks
120 x 40 x 30cm
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"Kollaps", 2006
from the series "Kleinere Unsicherheitsgesellschaften (smaller societies of insecurity)"
video
6min28sec, loop
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